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A weekend of camping in the mountains becomes an excursion into hell for a young couple, who become pawns in a grotesque plot hatched by deranged locals.
Written by Daniel Kay
Directed byTony Giglio
Starring - Josh Randall, Brianna Brown, Nick Searcy, Beth Broderick, Sascha Rosemann, Branden R. Morgan, T.W. Leshner, Ryan McGee, Carl Bressler
Rated – 5.7/10
Running Time - ?
Genre – Horror, Thriller
Open in Theaters - December 7th, 2007 (Limited)
The Walker
A contemporary drama set in Washington, D.C., "The Walker" centers around Carter Page (Harrelson), a well-heeled and popular socialite who serves as confidant, companion, and card partner to some of the capitol's leading ladies. These pampered women are married to the most powerful men in America, and when their husbands are too busy running the country to attend to their wives, they turn to their "gay best friend," Carter, for warmth, wit, and wisdom. Carter's loyalty is tested when his dearest friend (Scott Thomas) finds herself on the brink of a scandal that could destroy her reputation and her husband's career. Offering to cover for her, Carter suppresses incriminating evidence, only to find himself the chief suspect in a criminal investigation. Suddenly, this well-connected man-about-town is a pariah, hounded by the police and forced to find the true culprit and clear his name. More importantly, he must re-examine whether it is important to be accepted by a society based on betrayal, hypocrisy, and corruption.
A tale of moral redemption that takes the form of a mystery-thriller, "The Walker" is the third part of Schrader's "lonely man" trilogy that began with "American Gigolo" (1980) and also includes "Light Sleeper" (1992).
Written and Directed byPaul Schrader
Starring - Woody Harrelson, Kristin Scott Thomas, Lily Tomlin, Lauren Bacall, Willem Dafoe, Ned Beatty, Moritz Bleibtreu, Mary Beth Hurt
Rated - R for language, some violent material and nude images (6.8/10)
For every death, there is a new life....Jigsaw's baby takes over
Jigsaw and his apprentice Amanda are dead.
Now, upon the news of Detective Kerry's murder, two seasoned FBI profilers, Agent Strahm and Agent Perez, arrive in the terrified community to assist the veteran Detective Hoffman in sifting through Jigsaw's latest grizzly remains and piecing together the puzzle.
However, when SWAT Commander Rigg is abducted and thrust into a game, the last officer untouched by Jigsaw has but ninety minutes to overcome a series of demented traps and save an old friend or face the deadly consequences.
Written by Unknown psycho
Directed by Darren Lynn Bousman
Starring - Tobin Bell, Scott Patterson, Betsy Russell, Costas Mandylor, Lyriq Bent, Athena Karkanis, Justin Louis, Simon Reynolds, Mike Realba, Marty Adams
Rated - R for sequences of grisly bloody violence and torture throughout, and for language
Running Time - 1:48
Genre - Horror, Mystery, Thriller
Open in Theaters - October 26th, 2007
Music Within
Richard Pimentel (Ron Livingston) begins his life as a fighter, and his life's work becomes a process of fighting for the rights of others.
Rising up from a childhood in a dysfunctional family, armed with a talent for public speaking and a winning personality, the young man makes his way to a Northwestern college, confident that he will ace his try-out for his idol Dr. Ben Padrow (Hector Elizondo), the coach of the winningest team in the history of the College Bowl.
But Dr. Padrow shatters his dream when he rejects him. Richard's immediate reaction is to enlist in the army for a tour of duty in Vietnam. During combat, the young recruit loses his hearing to a bomb blast, and has to deal with this newfound disability on his return to civilian life in Oregon.
Richard discovers that his disability and the struggle to transcend it is a defining moment in his fight for what he believes in. When he tries to help his friends, vets like himself and others with disabilities, to get work in an environment that treats them with pity at best and disdain as a matter of course, he realizes that he can make a difference. The friends who make up his close-knit clique are: Art Honneyman (Michael Sheen), a student wheel chair user with cerebral palsy who uses his rapier wit to deflect the prejudice that greets his disturbing appearance; Mike Stoltz (Yul Vázquez), a fellow veteran with a lot of rage and nowhere to put it; and then there is Christine (Melissa George), the passionate libertine who strokes Richard's ego and initiates him into the world of free love.
Together, the friends experience the currents of those turbulent times, and the wild, joyful energy of winning through confrontation and humor. Without his hearing Richard is all the more prepared to listen to the message deep within himself, and to carry that message to the thousands of people whose lives are improved by the movement he helps to organize.
Written by Bret McKinney, Mark Andrew Olsen, Kelly Kennemer
Directed by Steven Sawalich
Starring - Ron Livingston, Melissa George, Michael Sheen, Rebecca De Mornay, Hector Elizondo, Leslie Nielsen
Rated - None
Running Time - 1:33
Genre - Drama
Open in Theaters - October 26th, 2007 (Limited)
Rails & Ties
Tom and Megan Stark always thought there would be time-time to have children, time to take that trip to San Francisco, time to fix the problems in their marriage. But Megan's illness and Tom's inability to face the possibility of losing her are stealing all the time they have left. All Tom can do is bury himself in his job as a train conductor, where at least he feels in control and everything runs on a predetermined track. Until now.
Tom's train has hit a car on the tracks in a tragic turn of events that, while not his fault, may still cost him his job. Worse, a young woman is dead and her son, Davey, has been left to cope with the loss of his mother, the guilt that he could not save her not only from the train but from herself...and the anger at the man he holds responsible: Tom Stark.
The accident puts the Starks and Davey on their own collision course. But instead of leading to tragedy, this crossing could mean new hope for a woman who has only one chance left to fulfill her dreams, for a man who must learn to open his heart before it's too late, and for a young boy who has never known the true meaning of family.
Warner Bros. Pictures presents the drama "Rails & Ties," starring Kevin Bacon and Marcia Gay Harden as Tom and Megan Stark and Miles Heizer as Davey. Alison Eastwood directed the film, marking her directorial debut.
Written by Micky Levy
Directed by Alison Eastwood
Starring - Kevin Bacon, Marcia Gay Harden
Rated - PG-13 for mature thematic elements, an accident scene, brief nudity and momentary strong language
Running Time - 1:36
Genre - Drama
Open in Theaters - October 26th, 2007 (NY, LA, TOR)
SlipStream
Academy Award winner Anthony Hopkins, makes the journey into independent filmmaking as writer and director of "Slipstream." The project attracted a renowned ensemble cast and crew boasting an outstanding combined total of more than 70 esteemed awards and accolades, and over 200 nominations.
Pushing the boundaries between fiction and fantasy, "Slipstream" is about the implosion of a man's mind. The film unfolds in a dreamlike, non-linear, stream-of-consensus style of story telling with a surreal tale of one man's journey. Felix Bonhoeffer (Hopkins) is an actor and screenwriter who has lived his life in two states of existence: reality and his own interior world. While working on a murder-mystery screenplay, Felix becomes baffled as his characters start appearing in his life; and his life starts slipping into his characters.
Unaware that his brain is on the verge of implosion, Bonhoeffer is thrown into a vortex where his dreams, time, and reality collide. As Felix enters an increasingly whirling slipstream, he soon discovers that life is random and fortune is sightless.
Written by Anthony Hopkins
Directed by Anthony Hopkins
Starring - Anthony Hopkins, Stella Arroyave, Christian Slater, John Turturro, Michael Clark Duncan, Camryn Manheim, Jeffrey Tambor, S. Epatha Merkerson, Fionnula Flanagan, Michael Lerner, Christopher Lawford, Lisa Pepper, Gavin Grazer, Aaron Tucker, Lana Antonva, Kevin McCarthy.
Rated - R for some language and violent images
Running Time – 1:36
Genre - Comedy, Drama, Fantasy, Sci-Fi
Open in Theaters - October 26th, 2007 (NY, LA, CHI)
Gavin Hood, whose "Tsotsi" became the first film from the former Apartheid state to win an Academy Award, will make his Hollywood debut directing first-time screenwriter Kelley Sane's multi-layered story centering on a CIA analyst based in Cairo who finds his world spinning out of control after he witnesses the interrogation of a foreign national by the Egyptian secret police. Witherspoon has been tapped to play Isabella El-Ibrahim, the pregnant American wife of an Egyptian-born chemical engineer whose family emigrated to the States in the mid 1980s, who is shipped off to a third world country for interrogation after he is deemed a political prisoner in our post-9/11 world.
Written by Kelley Sane
Directed by Gavin Hood
Starring - Reese Witherspoon, Jake Gyllenhaal, Meryl Streep, Alan Arkin, Peter Sarsgaard, Christian Martin
Rated - R for torture/violence and language
Running Time - 2:00
Genre – Thriller
Box office - $4,060,012 (US total)
Open in Theaters - October 19th, 2007
Reservation Road
To find the truth you have to find out who's hiding it.
Based on the critically acclaimed novel of the same name by John Burnham Schwartz, this is the compelling new dramatic thriller from two-time Academy Award-nominated writer/director Terry George ("Hotel Rwanda"). A tale of anger, revenge, and great courage, the film follows two fathers as their families and lives converge. On a warm September evening, college professor Ethan Learner (two-time Academy Award nominee Joaquin Phoenix), his wife Grace (Academy Award winner Jennifer Connelly), and their daughter Emma (Elle Fanning) are attending a recital. Their 10-year-old son Josh (Sean Curley) is playing cello ¬ beautifully, as usual. His younger sister looks up to him, and his parents are proud of their son. On the way home, they all stop at a gas station on Reservation Road. There, in one terrible instant, he is taken from them forever. On a warm September evening, law associate Dwight Arno (Mark Ruffalo) and his 11-year-old son Lucas (Eddie Alderson) are attending a baseball game. Their favorite team, the Red Sox, is playing ¬ and, hopefully, heading for the World Series. Dwight cherishes his time spent with Lucas. Driving his son back to his ex-wife, Lucas' mother Ruth Wheldon (Academy Award winner Mira Sorvino), Dwight heads towards his fateful encounter at Reservation Road. The accident happens so fast that Lucas is all but unaware, while Ethan ¬ the only witness ¬ is all too aware, as a panicked Dwight speeds away. The police are called, and an investigation begins. Haunted by the tragedy, both fathers react in unexpected ways, as do Grace and Emma. As a reckoning looms, the two fathers are forced to make the hardest choices of their lives.
Written by Terry George, Jonathan Burnham Schwartz
Directed by Terry George
Starring - Joaquin Phoenix, Mark Ruffalo, Jennifer Connelly, Mira Sorvino, Elle Fanning
Rated - R for language and some disturbing images
Running Time – 1:42
Genre - Drama, Thriller
Open in Theaters - October 19th, 2007
Sarah Landon and the Paranormal Hour
A teenage girl has mysterious encounters with paranormal activity in the small town of PineValley.
Written by John Comrie, Lisa Comrie
Directed by Lisa Comrie
Starring - Rissa Walters
Rated - PG for thematic elements, mild peril and language
Running Time – 1:28
Genre - Family, Mystery, Thriller
Open in Theaters - October 19th, 2007
The Ten Commandments
Condemned to die by Pharaoh while just a baby, Hebrew Moses is set adrift on the River Nile by his mother and his sister. Rescued by the daughter of Pharaoh, he grows up thinking he's an Egyptian prince.
Eventually exiled from Egypt when he is exposed as a Jew, he is touched by God, and told that he will lead his enslaved Chosen People to the Promised Land. With the hand of God firmly on his shoulder, and with faith as his only weapon, Moses performs miracles, casts down plagues, evades a pursuing Egyptian army, parts the Red Sea and, after forty years of leading the Hebrew Chosen Ones to the Promised Land, is embraced by God and led to a better place.
What makes this version of "The Ten Commandments" unique is that it highlights Moses’ family, both real and extended, on this long journey.
Filled with high adventure, the miraculous, and a gentle sense of humor, "The Ten Commandments" showcases Moses, the reluctant prophet, who was the only man in Biblical history to see the face of God and call him 'friend.'
Written by inspiration from Holy Bible
Directed by unknown
Starring - Ben Kingsley, Christian Slater, Alfred Molina, Elliott Gould
Producer Sam Raimi ("Spider-Man") brings audiences the terrifying thriller "30 Days of Night," set in the isolated town of Barrow, Alaska, in the extreme northern hemisphere, which is plunged into complete darkness annually for an entire month. When most of the inhabitants head south for the winter, a mysterious group of strangers appear: bloodthirsty vampires, ready to take advantage of the uninterrupted darkness to feed on the town's residents. As the night wears on, Barrow's Sheriff Eben (Josh Hartnett), his estranged wife Stella (Melissa George), and an ever-shrinking group of survivors must do anything they can to last until daylight.
Written by Stuart Beattie
Directed by David Slade
Starring - Josh Hartnett, Melissa George, Danny Huston, Ben Foster, Manu Bennett
Rated - R for strong horror violence and language
Running Time - 1:53
Genre - Horror, Thriller
Box Office - $15,951,902 (US total)
Open in Theaters - October 19th, 2007
The Comebacks
The producers of "Wedding Crashers" spoof the greatest sports movies ever.
With a track record that boasts such successful comedies as Wedding Crashers, The Wedding Planner and the recently released, Employee of the Month, it is no wonder that Fox Atomic approached the partners at Tapestry Films to produce THE COMEBACKS.
"Since we do a lot of youth oriented and big four quadrant comedies," begins producer Andrew Panay, "I think they thought we might be right for this kind of material. They sent us the script, we read it and we jointly agreed that this was something that we thought was hilarious and exciting. I think most everybody has seen a sports movie or a sports drama. How much fun would it be to poke fun at those movies and also poke fun at the sports world just in general on a large scale? It was perfect for our company."
"We thought it was terrific," agrees producer Peter Abrams. "There were some very, very funny bits... and it needed a great director that could put his stamp to it."
To this end, the filmmakers hired director Tom Brady. Coming off of two comedies geared for the young audiences, The Hot Chick and The Animal, Brady seemed a good match for this material on several levels.
"We looked for a director and found Tom Brady," recalls Abrams. "One of his strengths besides directing, is that he's a writer... So, Tom brought his keen sense of humor to the material."
"I read hundreds of scripts looking for that special one," begins director Tom Brady. "When this one came along, there were a couple things that got me. No one had really parodied or made fun of these sports movies yet. And so that hook was great.
But in particular what got me was there's a story there. They're real characters, each character had its arc. And there was the potential for a big movie with real actors and real people and real emotion and if done right to have your cake and eat it too. You can root for these people all the way and feel all the things you're supposed to feel in a sports movie, but make fun of it all along the way; and poke fun at all the clichés and conventions of all these typical melodramatic, overly dramatic sports movies that we've all seen."
Creating a film that did not just go from joke to joke or from skit to skit was important to all the filmmakers. They agreed that if they created a story with characters that the audience could get behind and root for, the jokes would play off that foundation and ring true.
"Tom has been absolutely fantastic," comments co-producer Michael Schreiber. "It's always good to have a director who knows what they want. He has a clear vision of this movie and he's able to vocalize that. So you know exactly what you're getting."
"I just had a vision for the film from the beginning," recalls Brady, "that if you play the stakes real and if the characters feel human and three dimensional, then you have a real movie. And then on top of that, you have that level of parody and the big stunts and the cameos-then you have everything you want in a movie."
Finding the right actor to play Coach Lambeau Fields was critical. Not only did the filmmakers need a comedic actor, but someone who could imbue the character with realism and heart. Into the shoes of the Coach stepped David Koechner for whom the role could not be more tailor-made. Having appeared as an extremely strong and memorable supporting player in such big screen comedy successes as Anchorman, Talladega Nights: The Ballad of Ricky Bobby, The 40 Year Old Virgin, and Reno 911, the filmmakers knew he was up to the challenge of playing the leading man.
"David and I met for breakfast," recalls Brady. "I just wanted to see that he was the guy that I thought he was. And within 10 seconds, we were both laughing and I knew in fact that he was the guy."
Brady remarks, "He was the perfect actor for the role . I think he's one of the finest comedic actors working today. He's just ready and he brings it all. He's so likable. He's compassionate. He can modulate his performance. He'd be very dramatic if he needs to be. And sometimes that's what's most funny."
"The thing about David that's so fantastic," comments Panay, "is that he's a real actor. He's such a good actor, who happens to be really funny. He's not just a comedian who's one note. This guy has so many layers -- he's got so much heart. And how do you not root for Dave Koechner? I think that's the biggest quality he has --- you cannot not love this guy!"
Koechner's comedic talents were indeed appreciated by everyone on set, although his antics often brought with them an acting challenge for those trying to do a scene with him. Many of his fellow-actors were continually brought to the verge of hysterics.
As Matthew Lawrence recalls, "He's just nailin' this character. I mean we have so much fun. He goes on these rants and when he adlibs---it's just hysterical. And it's really hard sometimes when you're opposite him, to keep a straight face."
"In the first couple scenes I had with him, it was kind of intimidating because he's so quick you don't really know where he's coming from," reflects the youngest cast member, 17-year-old Martin Spanjers who plays too-little-to-play Randy. "And he broke me a couple times. I started laughing. I had to turn my head so it wouldn't ruin the shot. But you just have to go with it and let it naturally happen. And finally, I got more comfortable. But he's just really funny. I mean this is his thing. This is his movie."
To sum it up best in the words of newcomer George Back, "He's probably the super-omega-ultra-coolest dude ever in the history of the world."
On the other side of the gridiron is Coach'es friend-turned-nemesis, Freddie Wiseman, played to perfection by Carl Weathers. Best known to filmgoers as Apollo Creed from the Rocky films, Weathers is a true icon in the world of sports and sports films, and the perfect choice to play the coach's nemesis.
"Carl Weathers is a true movie star," comments Brady, "always bringing enormous charm, intelligence, and an epic quality to all of his film roles. You can't get more charismatic than Apollo Creed, or help be in awe of his character in The Predator or of Action Jackson. I knew Carl could be hilarious. He was also a former football star at San DiegoState and played with the Raiders! All of these things made him a natural and perfect choice to play Freddie, Coach Fields' friend and mentor." "He's incredible," comments Abrams. "He is not wildly crazy like Dave can be but in a very straight ahead way. He's very, very funny especially when the two of them play off of each other."
Once next-door neighbors, Brady and Weathers had talked about working together casually in the past. But once the script for THE COMEBACKS was ready, the conversation became much more specific. "Tom came to me," recalled Weathers, "and said 'I've got this movie, and I think it'll be really good. I'd love for you to be in it and I want to send you a script.'
"Well, lo and behold a script came and I read it and it was really, really funny. And when we started working together, Tom was a joy. I've always really enjoyed working with the directors who really support you as an actor and really gave you an opportunity to bring as much to the table as you can."
With a long history both in front of the camera and as a filmmaker, Brady did indeed take to heart comments and suggestions that the experienced and well versed Weathers brought to the table.
"Carl is also a filmmaker in his own right and brought an intelligence and 'big picture' view to the project," Brady comments. "Incorporating Carl's ideas really elevated the third act to a new level!" Once Koechner and Weathers were in place, the next step was to find the prefect group of young actors to play the rag-tag team of misfits that make up The Comebacks. "When we went through the casting process," recalls co-producer Kevin Sabbe, "we really searched for young talented actors who we felt were going to be the next big thing. And more than anything, we searched for talent who was really, really funny."
From the more experienced Matthew Lawrence, Robert Ri'chard and Martin Spanjers, to relative newcomers George Back, Jermaine Williams and Jesse Garcia, the cast all brought humor, energy and a willingness to go the distance (even over the line!) to bring the team to life. Additional team members Noureen DeWulf and Jackie Long, as well as young Brooke Nevin, who plays the coach's daughter, round out the cast.
"We found a group of very talented young actors who are all funny," comments Abrams. "I think it helps to have a funny piece of material, but we also have a really skilled group of kids working."
Director Tom Brady remarks on the cast, "I was looking for gifted actors who brought something extra special to the table - a brilliant spark, a comedic twist - actors who, although their roles were inspired by somewhat 'stock' types, who would transcend those roles and make them original and lasting film characters." He continues, "Most of the roles for the team members, I discovered during casting - which I consider to be one of the most important parts of the process."
Brady continues, "Without exception, I was pleased and every member of the team took their parts to a new level. The amount of talent on this set was insane, and I anticipate that we'll all look back five years from now and say, 'how did they ever get George Back, Robert Ri'chard, Jackie Long, Brooke Nevin, Noureen DeWulf, Martin Spanjers, and Jermaine Williams ALL in one film!'" In a few cases, Brady had worked with talent involved in the film before, so he had the advantage of already knowing what they could do.
"I worked with Matthew Lawrence on "The Hot Chick" and knew he would make the perfect Lance," comments Brady. "Matt brings an enormous amount of integrity to every role he plays. His portrayals are airtight, and as a leading man he is incredibly versatile. He is natural, confident and a 'guy's guy,' and he is also strikingly handsome and can play the vulnerability of romantic situations like very few actors his age. Matthew is also a solid, well-balanced guy who has easily made the transition from child actor (Mrs. Doubtfire) to teen idol to adult leading man. This is a guy who can be a huge film star." The young talent was eager to be a part of a comedy of this level and to have the ear of the filmmakers - Brady in particular - to listen to their ideas. "He actually sat each and every one of us down for about an hour session just to give him our ideas about our characters," recalls Jermaine Williams, who plays IPod, the Coach's side-kick.
In addition to the talented central cast, the filmmakers couldn't have been happier with the dozens of other talented actors, comedians and athletes who agreed to appear in the film in cameo roles. Although most of them only worked for a single day, the results are surprising, hysterical and satirical. Much of the success in booking these people is credited by producer Abrams to having shot the film in Los Angeles and to the presence of Koechner.
As Abrams explains, "We just found a group of very talented people that allowed the film to be chock full of cameos. It was our considered opinion that if we stayed in Los Angeles we'd have a better chance to get people to come play for a day. As opposed to going somewhere else, where a day plus two days of traveling might mean they wouldn't be able to do it.
"But also, when we went out to find actors and comedians to come do cameos, when they found out that Dave was the star, they all signed up because they all love him. Within the comic actor world, he's revered - everybody loves Dave Koechner and they think he's brilliantly funny."
From the world of sports, the list is stellar and includes Super Bowl winners, a World Series ball player, top NBA talent and sportscasters. Among those appearing in the film are ex- football stars Eric Dickerson, Lawrence "LT" Taylor and Michael Irvin, retired mega-stars Dennis Rodman and Bill Buckner, as well as John Salley, Chris Rose, Frank Caliendo, and Stacy Keibler.
Written by Kevin Sabbe, Tom Brady
Directed by Tom Brady
Starring - Carl Weathers, David Koechner, Matt Lawrence, Brooke Nevin
Rated - PG-13 for crude and sexual content throughout and some drug material
Running Time - 1:24
Genre – Comedy
Box Office - $5,554,594 (US total)
Open in Theaters - October 19th, 2007
Gone Baby Gone
"Gone, Baby, Gone," Academy Award®-winner Ben Affleck's directorial debut, stars Casey Affleck ("Ocean's Eleven"), Michelle Monaghan ("Mission: Impossible III"), Academy Award®-winner Morgan Freeman and Academy Award®-nominee Ed Harris. Based on the novel by Dennis Lehane ("MysticRiver") and adapted for the screen by Affleck and Aaron Stockard, the film tells the story of two private investigators hunting for an abducted 4-year-old girl in the seamiest side of Boston's underworld.
Written by Ben Affleck, Aaron Stockard
Directed by Ben Affleck
Starring - Casey Affleck, Michelle Monaghan, Morgan Freeman, Ed Harris
Rated - R for violence, drug content and pervasive language
Running Time - 1:54
Genre - Drama, Mystery
Box Office -$5,501,406 (US total)
Open in Theaters - October 19th, 2007
Meeting Resistance
What would you do if your country was invaded? "Meeting Resistance" raises the veil of anonymity surrounding the Iraqi insurgency by meeting face to face with individuals who are passionately engaged in the struggle, and documenting for the very first time, the sentiments experienced and actions taken by a nation's citizens when their homeland is occupied. Voices that have previously not been heard, male and female, speak candidly about their motivations, hopes and goals, revealing a kaleidoscope of human perspectives. Featuring reflective, yet fervent conversations with active insurgents, "Meeting Resistance" is the missing puzzle piece in understanding the Iraq war. Directed by Steve Connors and Molly Bingham, this daring, eye-opening film provides unique insight into the personal narratives of people involved in the resistance exploding myth after myth about the war in Iraq and the Iraqis who participate. Through its unprecedented access to these clandestine groups, "Meeting Resistance" focuses the spotlight on the "other side" leaving the viewer with clarity as to why the violence in Iraq continues to this day.
Reprising the roles they originated in seven-time Academy Award®-nominated "Elizabeth," Cate Blanchett and Geoffrey Rush return for a gripping historical thriller laced with treachery and romance--"The Golden Age." Joining them in the epic is Clive Owen as Sir Walter Raleigh, a dashing seafarer and newfound temptation for Elizabeth.
"The Golden Age" finds Queen Elizabeth I (Oscar®-winner Cate Blanchett) facing bloodlust for her throne and familial betrayal. Growing keenly aware of the changing religious and political tides of late 16th century Europe, Elizabeth finds her rule openly challenged by the Spanish King Philip II (Jordi Molla)--with his powerful army and sea-dominating armada--determined to restore England to Catholicism.
Preparing to go to war to defend her empire, Elizabeth struggles to balance ancient royal duties with an unexpected vulnerability in her love for Raleigh. But he remains forbidden for a queen who has sworn body and soul to her country. Unable and unwilling to pursue her love, Elizabeth encourages her favorite lady-in-waiting, Bess (Abbie Cornish), to befriend Raleigh to keep him near. But this strategy forces Elizabeth to observe their growing intimacy.
As she charts her course abroad, her trusted advisor, Sir Francis Walsingham (Academy Award® winner Geoffrey Rush), continues his masterful puppetry of Elizabeth's court at home--and her campaign to solidify absolute power. Through an intricate spy network, Walsingham uncovers an assassination plot that could topple the throne. But as he unmasks traitors that may include Elizabeth's own cousin Mary Stuart (Samantha Morton), he unknowingly sets England up for destruction.
"The Golden Age" tells the thrilling tale of an era ... the story of one woman's crusade to control love, crush enemies and secure her position as a beloved icon of the western world.
Rated - PG-13 for violence, some sexuality and nudity
Running Time - 1:54
Genre - Thriller
Open in Theaters - October 12th, 2007
The Final Season
How do you want to be remembered?
In the small town of Norway, Iowa, everyone comes together for high school baseball. But life throws curve balls; and the passionate young players, rookie coach Kent Stock (Sean Astin), and the hometown fans find that life's greatest challenges strike off the diamond. The Final Season is the true story of a coach who inspired his team and brought hope to a town when they needed it most.
Kent Stock (Sean Astin) had some mighty big cleats to fill when he stepped in for Jim Van Scoyoc (Powers Booth), head coach of the Norway Tigers, the most formidable high school baseball team in the history of Iowa. A school with only 100 students in a town of 586 people, the beloved Tigers won 20 State Championships in 26 years and the admiration of the entire town. Claiming that Norway grew ballplayers "like corn," Coach Van Scoyoc picked a winning team of 14 boys year after year, young men who grew up watching their older brothers, family and friends win state titles before them, and like a lucky glove passed down through generations, the coveted championship trophy was now theirs to win.
But in 1991 the Norway School Board decided it was going to merge Norway with a nearby high school in Madison, thereby shutting the school forever and crushing the town's hope of keeping their baseball tradition alive. Turning a deaf ear on the community's cries of protest, town officials refused to renew Coach Van Scoyoc's (Boothe) contract, and hired Kent Stock (Astin), a former girls volleyball coach, to lead the team in their final season.
Suddenly apathy instead of cheers met the Norway Tigers and their coach. Rumor had it that a Tee Ball player had a better chance of hitting a Nolan Ryan fastball than the Norway Tigers had of taking their 20th State Championship. Even the boys on the team had given up, fumbling grounders and dropping flies that they could have once fielded in their sleep.
But the rookie coach wasn't about to let the Tigers or the town give up. Like the champion he expected each one of them to be, Stock challenged the boys with words to live by: "Ask yourself one question," he said. "How do you want to be remembered?" Their collective answer made the Tigers start acting like the accomplished ballplayers they knew how to be. And as the team rallied, so did the town. The players, the coach and all of Norway began to believe that the Tigers had one more victory in them before the school closed forever. How did the Norway Tigers want to be remembered? As winners!
Based on the true story of one of the greatest dynasties in high school baseball history, The Final Season is about digging deep within to find the courage to triumph against all odds.
Written by Art D'Alessandro
Directed by David M. Evans
Starring - Sean Astin, Powers Boothe, Rachael Leigh Cook, James Gammon, Larry Miller, Marshall Bell, Tom Arnold, Michael Angarano
Rated - PG for language, thematic elements and some teen smoking
Running Time - 1:54
Genre - Drama
Open in Theaters - October 12th, 2007
Lars and the Real Girl
The search for true love begins outside the box
When Lars Lindstrom (Ryan Gosling) introduces his brother Gus (Paul Schneider) and sister-in-law Karin (Emily Mortimer) to his new friend Bianca, who he met on the internet, their immediate response is shock and disbelief. Has Lars, the sweet, socially challenged introvert gone completely mad -- they meet Bianca and see a doll, but Lars sees a friend.
Bianca isn't a real woman at all but a Real Doll, how will they explain this to the residents of the sleepy Midwestern town they've grown up in and currently reside? Karin and Gus consult the town's family physician, Dr. Dagmar Berman (Patricia Clarkson), who advises them to go along with it. Lars is experiencing a delusion and in order to help him through this crisis, they and the townsfolk need to get onboard.
After some persuasion and appeal to their love and concern for Lars, Gus and Karin enlist their cooperation. Soon Bianca is attending church, modeling at the local dress shop, volunteering at the hospital and accompanying Lars to his first ever social events.
Surprisingly to those around her, Bianca weaves her way into the hearts of everyone she meets, filling voids they didn't know they had. What follows is an emotional, comical, transformative journey for Lars and the people around him.
Written by Nancy Oliver
Directed by Craig Gillespie
Starring - Ryan Gosling, Emily Mortimer, Paul Schneider, Kelli Garner, Patricia Clarkson, Nancy Beatty, Maxwell McCabe-Lokos, Karen Robinson
Rated - PG-13 for some sex-related content
Running Time - 1:46
Genre - Comedy
Open in Theaters - October 12th, 2007 (Limited)
Sleuth
On his sprawling country estate, an aging writer (Caine) matches wits with the struggling actor (Law) who has stolen his wife's heart.
A millionaire detective novelist matches wits with the unemployed actor who ran off with his wife in a deadly serious, seriously twisted game with dangerous consequences.
Written by Harold Pinter
Directed by Kenneth Branagh
Starring - Michael Caine, Jude Law
Rated - R for strong language
Running Time - 1:26
Genre - Mystery, Thriller
Open in Theaters - October 12th, 2007 (Limited)
Tyler Perry's Why Did I Get Married?
...Because no one inspires me more. ...Because we complete each other's sentences. ...Because two are stronger than one. ...Because every moment we share is better than the last.
Following the success of his previous films DIARY OF A MAD BLACK WOMAN, MADEA'S FAMILY REUNION and DADDY'S LITTLE GIRLS, Tyler Perry returns with his fourth feature film, TYLER PERRY'S WHY DID I GET MARRIED?
A big-screen adaptation of Perry's hit stage play of the same title, TYLER PERRY'S WHY DID I GET MARRIED? is an intimate story about the difficulty of maintaining a solid love relationship in modern times. This heartwarming and often hilarious story looks at four couples on vacation struggling with issues of commitment, betrayal, redemption and the road to forgiveness.
When these eight married college friends reunite for their annual retreat in the snowcapped mountains of Colorado, they come expecting fun and relaxation, but get a completely unexpected surprise. Career-drive Dianne (SHARON LEAL) and her supportive, but fed-up husband, Terry (TYLER PERRY), are joined by popular psychologist and best-selling author Patricia (JANET JACKSON) and her architect husband Gavin, (MALIK YOBA), who share a secret tragedy that finally comes to light, while Angela (TASHA SMITH) and Marcus (MICHAEL JAI WHITE) argue constantly, but remain in love. Also in attendance is their good friend Sheila, (JILL SCOTT) a sweet woman with a distorted self-image stemming from weight issues that are exacerbated by her emotionally abusive and philandering husband, Mike (RICHARD T. JONES).
Unlike any other year, this trip changes the dynamic of the group with two new additions: Sheila's supposed girlfriend, Trina (DENISE BOUTTE), who is secretly sleeping with her husband; and Troy (LAMMAN RUCKER), an ex-Wall Street stockbroker who has put his career on hold to care for an ailing father.
Nothing could create more drama then placing these ten people in a secluded cabin for a long weekend with all of the dirty laundry waiting to come out. Everybody's asking 'WHY DID I GET MARRIED?'
Written by Tyler Perry
Directed by Tyler Perry
Starring - Tyler Perry, Janet Jackson, Sharon Leal, Jill Scott, Tasha Smith, Malik Yoba, Richard T. Jones, Michael Jai White
Rated - PG-13 for mature thematic material, sexual references and language
Running Time – 1:58
Genre - Comedy, Drama
Open in Theaters - October 12th, 2007
We own the night
Two brothers on opposite sides of the law. Beyond their differences lies loyalty.
Bobby Green (Joaquin Phoenix) has turned his back on the family business. The popular manager of El Caribe, the legendary Russian-owned nightclub in Brooklyn's BrightonBeach, he has changed his last name and concealed his connection to a long line of distinguished New York cops. For Bobby, every night is a party, as he greets friends and customers or dances with his beautiful Puerto Rican girlfriend, Amada (Eva Mendes), in a haze of cigarette smoke and disco music.
But it's 1988, and New York City's drug trade is escalating. Bobby tries to keep a friendly distance from the Russian gangster who is operating out of the nightclub - a gangster who is being targeted by his brother, Joseph (Mark Wahlberg), an up-and-coming NYPD officer, and his father, Burt (Robert Duvall), the legendary deputy chief of police.
Columbia Pictures' and 2929 Productions' "We Own the Night," an emotional crime thriller about a man who has chosen to hide his past only to discover that he has to confront an inevitable future, takes its title from the motto of the 1980s-era NYPD street crimes unit. Written and directed by James Gray ("The Yards," "Little Odessa").
Written by James Gray
Directed by James Gray
Starring - Joaquin Phoenix, Mark Wahlberg, Robert Duvall, Eva Mendes, Alex Veadov
Rated - R for strong violence, drug material, language, some sexual content and brief nudity
Charlie Bartlett has been kicked out of every private school he ever attended. And now that he's moved on to public school, he's simply getting pummeled. But when Charlie discovers that the kids who surround him--the outcast and the popular alike--are secretly in desperate need, his entrepreneurial spirit takes over. Hanging up his shingle in the Boys' restroom, Charlie becomes an underground, not to mention under-aged, shrink who only listens to the private confessions of his schoolmates, and makes the imprudent decision to hand out the pills he's proffered from his own psychiatric sessions. Meanwhile, at home, Charlie keeps charming his way out of an inevitable confrontation his adoring but utterly overwhelmed mother Marilyn. Then, Charlie Bartlett makes his big mistake--falling in love with the beautiful and bold daughter of the school's increasingly disenchanted Principal, who is hot on his trail. As Charlie Bartlett's world and fledgling psychiatric practice unravel, he begins to discover there's a whole lot more to making a difference than handing out pills.
Bratz
Four teenage girls who come from different social and economic backgrounds empower themselves by rejecting their respective high school cliques and band together, calling themselves Bratz.
If I Didn't Care
Set in the Hamptons, a mystery thriller centering on Davis Meyers and his ill-fated attempt to produce an heir, which ultimately leads to infidelity, murder and tragic consequences.
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This is a film which contains nothing in theme, language, nudity and sex, violence, etc. which would, in the view of the Rating Board, be offensive to parents whose younger children view the film. The G rating is not a "certificate of approval," nor does it signify a children's film.
Some snippets of language may go beyond polite conversation but they are common everyday expressions. No stronger words are present in G-rated films. The violence is at a minimum. Nudity and sex scenes are not present; nor is there any drug use content.
PG:"Parental Guidance Suggested. Some Material May Not Be Suitable For Children."
This is a film that clearly needs to be examined or inquired into by parents before they let their children attend. The label PG plainly states that parents may consider some material unsuitable for their children, but the parent must make the decision.
Parents are warned against sending their children, unseen and without inquiry, to PG-rated movies.
The theme of a PG-rated film may itself call for parental guidance. There may be some profanity in these films. There may be some violence or brief nudity. But these elements are not deemed so intense as to require that parents be strongly cautioned beyond the suggestion of parental guidance. There is no drug use content in a PG-rated film.
The PG rating, suggesting parental guidance, is thus an alert for examination of a film by parents before deciding on its viewing by their children.
Obviously such a line is difficult to draw. In our pluralistic society it is not easy to make judgments without incurring some disagreement. So long as parents know they must exercise parental responsibility, the rating serves as a meaningful guide and as a warning
PG-13:"Parents Strongly Cautioned. Some Material May Be Inappropriate For Children Under 13."
PG-13 is a sterner warning to parents to determine for themselves the attendance in particular of their younger children as they might consider some material not suited for them. Parents, by the rating, are alerted to be very careful about the attendance of their under-teenage children.
A PG-13 film is one which, in the view of the Rating Board, leaps beyond the boundaries of the PG rating in theme, violence, nudity, sensuality, language, or other contents, but does not quite fit within the restricted R category. Any drug use content will initially require at least a PG-13 rating. In effect, the PG-13 cautions parents with more stringency than usual to give special attention to this film before they allow their 12-year-olds and younger to attend.
If nudity is sexually oriented, the film will generally not be found in the PG-13 category. If violence is too rough or persistent, the film goes into the R (restricted) rating. A film's single use of one of the harsher sexually-derived words, though only as an expletive, shall initially require the Rating Board to issue that film at least a PG-13 rating. More than one such expletive must lead the Rating Board to issue a film an R rating, as must even one of these words used in a sexual context. These films can be rated less severely, however, if by a special vote, the Rating Board feels that a lesser rating would more responsibly reflect the opinion of American parents.
PG-13 places larger responsibilities on parents for their children's moviegoing. The voluntary rating system is not a surrogate parent, nor should it be. It cannot, and should not, insert itself in family decisions that only parents can, and should, make. Its purpose is to give prescreening advance informational warnings, so that parents can form their own judgments. PG-13 is designed to make these parental decisions easier for films between PG and R.
R:"Restricted, Under 17 Requires Accompanying Parent Or Adult Guardian."
In the opinion of the Rating Board, this film definitely contains some adult material. Parents are strongly urged to find out more about this film before they allow their children to accompany them.
An R-rated film may include hard language, tough violence, nudity within sensual scenes, drug abuse or other elements or a combination of some of the above, so that parents are counseled, in advance, to take this advisory rating very seriously. Parents must find out more about an R-rated movie before they allow their teenagers to view it.
This rating declares that the Rating Board believes that this is a film that most parents will consider patently too adult for their youngsters under 17. No children will be admitted. NC-17 does not necessarily mean "obscene or pornographic" in the oft-accepted or legal meaning of those words. The Board does not and cannot mark films with those words. These are legal terms and for courts to decide. The reasons for the application of an NC-17 rating can be violence, sex, aberrational behavior, drug abuse or any other elements which, when present, most parents would consider too strong and therefore off-limits for viewing by their children.
